Okay, by now you know I wrote a daily comic strip near the end of my college career called Cereal. And if you read the last Cereal post, you know that I devoted a sequence of these strips to a Michael Jackson parody. Only I couldn’t post anything at the time because I was out of town and I drew the comics on this stuff called paper that you can scan only if you have it with you. Which I didn’t. But now I’m home so scan away. Which I have. And here are the results.
![](/_LEGACY/files/images/Cereal/Cereal-Diller.png)
These strips mark the very beginning of Book 3. It’s January 1984 (the same time Apple released the first Macintosh computer), and altho I’m still making just $2.50 per strip, I have a small but devoted fan base. (More on that later.) And so I decided to risk everything and turn one of my ancillary characters—a token mulâtre lad named Shea—into an overnight superstar.
It begins with Shea reinventing himself as a crime fighter called Captain Fife. But by way of ridiculous situation-style “comedy,” he is rendered disheveled, clumsy, and infinitely beautiful. (As are we all, in time.) Which causes him to be mistaken for a pop superstar, ultimately remonikered Dudley Do-Rap.
It’s inane, it’s trivial, it’s retro. And frankly, it’s starts rather lamely. But two mentions of merit: First, it features the beginning of something that I haven’t seen elsewhere, the creative use of iconic borders. Second, it gets better as it goes along.
Note two crazy things: III-007 features an inverted nod to President Obama, altho I’d never heard of him at the time. And III-015 references Ed McMahon, who died the same week as MJ. What are the chances?
These are real comics of the time, no edits made. Here goes:
![](/_LEGACY/files/images/Cereal/Cereal-3-001-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-002-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-003-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-004-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-005-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-006-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-007-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-008-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-009-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-010-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-013-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-014-tiny.png)
![](/_LEGACY/files/images/Cereal/Cereal-3-015-tiny.png)
By way of explanation, a few footnotes. III-006: at the time, “Thriller” was the most expensive music video ever produced. III-009: Michael Jackson’s hair caught on fire during the filming of a Pepsi commercial. III-14: Phyllis Diller was (and possibly remains) a raunchy comedienne with crazy hair.
Meanwhile, I offer no defense for the “skunk” theme employed by III-04 and III-05. I neither know nor knew of any scent used or abused by Michael Jackson. I include these strips merely to flesh out a threadbare plotline. Meanwhile, I omitted III-11 and III-12 because they sucked.
The Missing Episodes
You eliminated panels III-11 & -12 because they “sucked”?! You mean they’re *worse* than what you included?Now we’ll just *have* to see them!
Yes, believe it or not
They were “worse” than these!
More to the point, they introduced a meaningless “character” and they didn’t contribute to the “story.”
I like your sketches…not
I like your sketches…not very enthralled with the humor though :) Seems like you’re trying too hard to be “Peanuts” and “Calvin & Hobbes” combined
I Am Jealous!
I’m struggling to learn how to cartoon and your characters are very cool. Cartooning looks a lot easier than it is. On the other hand, it’s a lot more forgiving that ‘representational’ art. The characters I’ve done certainly don’t resemble any particular person. I admire your courage to put yourself out there.
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nice comic..and great
nice comic..and great story…:p
i would love to make a
i would love to make a comic!!!
Nice job, it’s a great
Nice job, it’s a great post. The info is good to know!