Deke's Techniques 117: Creating Turfy Type in Photoshop
Today, I offer you another text effect. Specifically, I'll show you how to render text in grass, down to the finest blade, against a dirt background. Complete with a golf ball.
Today, I offer you another text effect. Specifically, I'll show you how to render text in grass, down to the finest blade, against a dirt background. Complete with a golf ball.
This week, Deke combines a text layer and a leafy photo to create letters that appear to be made from foliage. And it's all a simple function of Refine Mask.
Deke uses a variety of Photoshop effects to turn a couple of unsuspecting rental car agents from this world into rental car agents from a galaxy far, far away.
There are model railroad geeks. And there are vector graphics geeks. In this episode of Deke's Techniques, the two groups of geeks get to meet.
This week, I show you how to create wicked cool tendrils of sizzlingly realistic lightning from whole cloth. Complete with ambient contact lighting.
At first glance, it seems like this week's technique is just about chasing down an Internet meme. But Deke reveals some key concepts that you can use for any digital tattoo.
In just two days, Adobe Illustrator turns 25 years old. Today, I celebrate Illustrator and the wider world of vector art with a technique that'll blow you away.
In this week's free movie, Deke shows you how to create a perfectly spaced frame around a graphic (whatever it may be) inside a Photoshop file.
Happy Valentine's Day. In honor of the occasion, I've come up with a tasty red candy of a technique, based on a misunderstood feature called the Reshape tool.
Learn how to create a specific and famous flavor of optical illusion. When viewed from far away, the image appears as one thing; when viewed close up, it appears as another.
Have you heard about Warichu inside Adobe Illustrator? Unless you live in Japan, I'm guessing not. And yet it's just the ticket for formatting American movie poster credits.
Create text, in Photoshop, that provides absolute and unambiguous contrast with everything in the composite image behind it. Automatically.